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Profile: Lucio Fulci

Next to the great Dario Argento, Italy's Lucio Fulci is probably the best-known horror director to come out of that country. His cult is enormous, but some of us don't fully understand why. The maker of ineptly written and acted horror schlock, Fulci did produce some of the sickest movies ever made. Quentin Tarantino championed his film "The Beyond." But one would be hard-pressed to name a "great" Fulci movie, although his biggest hit, "Zombie," is one hell of an entertaining flick.

Fulci was propelled onto the horror/gore scene in 1979 with "Zombie," a copy of "Dawn of the Dead" that had the audacity to market itself in Europe as a sequel to that film. It was a cover story in Fangoria that put "Zombie" in the collective consciousness of the splatter film viewing public—and it's stayed there ever since.

Extremely silly and gory, "Zombie" somehow manages to carry a beautiful nihilism that would be imitated by the hordes of Italian zombie and cannibal movies that would follow it, including Fulci's own copy cat, "Gates of Hell."

Lucio Fulci Horror Filmography:

- Don't Torture a Duckling (1972)
- Zombie (1979)
- City of the Living Dead (1980)
- The Black Cat (1980)
- The Beyond (1981)
- House by the Cemetery (1981)
- New York Ripper (1982)
- Manhattan Baby (1982)
- Zombi 3 (1988)
- A Cat in the Brain (1990)
- Demonia (1990)
- Voices from Beyond (1991)

"Zombie" made more than $30 million worldwide. Fulci never would never make a better or more successful movie, although Quentin Tarantino is a big fan of his later zombie film, "The Beyond," which Tarantino re-released to theaters in 1998. At the midnight screening I saw, the audience was noticeably underwhelmed. But Fulci never stopped attempting to top "Zombie." One of his films, "The New York Ripper," was so controversial  that it was banned in many countries and reportedly didn't even make a profit. The cut version that saw release in the U.S. was unwatchable.

Truth be told, Fulci's films were quite consistently bad. Despite the worldwide following he has, Fulci simply wasn't all that great of a director. His fanbase seems more focused on the gore in his films. But a Fulci film typically has a slow pace, bad acting and even worse dubbing. 

Fulci died in 1996, shortly before he was to begin a collaboration with Argento on a "House of Wax" remake called "The Wax Mask."

Visit the official Lucio Fulci Web site here.